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by Director Adrián Biniez Agustín Díaz Yanes Álvaro Brechner Carlos Sorín Chus Gutiérrez Claudia Llosa David Planell Dunia Ayaso Eduardo Chapero-Jackson Enrique Rivero Félix Sabroso Fernando Franco Helena Taberna José Mari Goenaga Luis Arambilet Luiso Berdejo Manuel Gutiérrez Manuel Gutiérrez Aragón Marc Recha Marco Berger Martín Carranza Michel Franco Pablo Trapero Segundo de Chomón Simon Brand Vicente Villanueva Victoria Galardi Walter Doehner

by Original Title Amorosa Soledad Cortos/ Almería en corto Festival Internacional de cortometrajes Daniel and Ana El Paraíso Travel El viaje de Teo Gigante La Buena Nueva La mitad del cielo La Teta Asustada La Ventana La Vergüenza Leonera Los Años Desnudos: Clasificada ‘S’ Mal Día Para Pescar Parque Vía Petit Indi Plan B Retorno a Hansala Segundo de Chomón Silent Shorts Solo Quiero Caminar The Short Films of Luis Arambilet

by English Title Bad Day to go Fishing Daniel and Ana El Paraíso Travel Gigante Just Walking Lion's Den Little Indi Lovely Loneliness Parque Vía Plan B Return to Hansala Segundo de Chomón Silent Shorts Short films / Almería International Short Film Festival Teo's Journey The Good News The Milk of Sorrow The Naked Years The Shame The Short Films of Luis Arambilet The Window

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Cortos/ Almería en corto Festival Internacional de cortometrajes
(Short films / Almería International Short Film Festival)

Segundo de Chomón Silent Shorts
(Segundo de Chomón Silent Shorts)

The Short Films of Luis Arambilet
(The Short Films of Luis Arambilet)

Segundo de Chomón Silent Shorts (PG)
(Segundo de Chomón Silent Shorts)

Mon 22nd March

Segundo de Chomón / 45 mins

A selection of mesmerising shorts from Segundo de Chomón, a master of European silent cinema with new live musical accompaniment from Die Kunst. Films include Le Scarabée d’or (1907), Excursión Incoherente (1909) and Metempsycose (1907).

Often dubbed the Spanish Méliès, Segundo de Chomón was an innovator of Spanish cinema who worked across Europe as a director and cinematographer, working on a number of high-profile productions including Abel Gance’s Napoleon (1927). In his pioneering trick films, suffused with images of devils, sorcery and mysticism, Chomón experiments with pixilation, morphing techniques and double exposure.